A Photoshop Tutorial – Levels

My friend Kenneth of Investor Blogger and Obblogatory recently requested some basic Photoshop tutorials. Perhaps the best place to start is with a tutorial on Levels. Make sure you click on the images for a larger version – the small ones don’t fully show the details and color.

For most people, the main objective after the picture has been taken is to either have it look good for posting on Flickr or sending as email, or to make an inkjet print at home, or a print at a photolab. The first thing you need to do is to adjust the tonal range so that the photo has a good, full contrast. In general, the biggest concern will be how light or dark the photo is – are the blacks black and the whites white? And for that, we can look at Levels in Photoshop. So lets start with an image that needs some adjustment.

[singlepic id=153 w=500]

We can see that this shot is a little underexposed and lacks contrast. If we look at the histogram display, we see that all the values are over towards the left. The histogram is a graph that displays the tonal levels from dark (black) on the left to light (white) on the right. The graph will look different for every different photo – there’s no such thing as an ideal, one-size-fits-all histogram. In general though, we want to see our graph spaced over the entire histogram, not bunched to the left like the following screenshot.

[singlepic id=154 w=500]

To fix things, we want to go to our Layers palette (F7) and create a Levels adjustment layer, as shown below. We can make the same adjustments directly onto the image without using Layers, but this is destructive – we permanently change the pixels. Using Layers means that we can non-destructively adjust the image without permanently changing pixels. This allows us to revisit the image in the future and make further adjustments as we desire without degrading the image. Non-destructive editing is always a better choice than destructive editing – it’s one of the reasons why we shoot RAW instead of jpg, assuming our camera is capable of it.

[singlepic id=156 w=500]

This will bring up the Levels dialog. To improve the tonal range, we want to use the highlight slider (shown below) and drag it to the left. For finer control, hold down the option/alt (Mac/PC) key while you click on the slider to see exactly where the highlights pop out.

[singlepic id=158 w=500]

You want to drag it closer to where the tonal values are on the histogram.

[singlepic id=159 w=500]

And now do the same with the shadow slider, located on the left. Again, you can hold down Option/Alt for finer control.

[singlepic id=160 w=500]

Once things look good, click ok in the Levels dialog. Notice the difference in both the image and the resulting histogram.

[singlepic id=155 w=500]

You can now save the file as a TIFF or PSD which allows you to preserve the layer structure. As mentioned above, this lets us revisit the file in the future. To make changes it’s simply a matter of double-clicking the adjustment layer icon in the Levels layer.

[singlepic id=157 w=500]

To save it as a jpg for print or the web, simply flatten or merge the layers (Cmd/Ctrl-Shift-E) or choose the option from the Layer menu at the top of the screen.

And there we have it – our finished image. Or, our image that’s ready for any further editing we wish to do.

[singlepic id=152 w=500]

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View Comments to “A Photoshop Tutorial – Levels”

  1. This is a helpful post, especially for newer PS users. A more advanced addition I would have, and one which is very easily done, is to change the blending mode of the layers level to Luminosity from Normal. This can help to avoid the colour shifts that can occur when you make levels (or curves) adjustments. Especially when you use auto-levels (not always a bad starting point) this can relieve a lot of headaches.

    • cfimages says:

      Thanks Darren. Good tips on the blending mode. I purposely left Auto-Levels out of this tutorial because I want to encourage good non-destructive habits from the beginning. Of course one could always use auto-levels on a duplicated layer I guess.

  2. [...] Craig Ferguson has a new photoshop tutorial on levels. [...]

  3. Expatriate Games says:

    Dude, that's cool of you to take make the time to put this together. I absolutely agree with the non-destructive approach. I learned the hard way and only wish I had read this two years ago!

  4. cfimages says:

    Thanks. The odd thing is that since Lightroom was released I find I rarely use Photoshop.

  5. Maybe I am confused, or I wasn't quite clear. I meant using auto levels on the layer; it would be no more destructive than whatever choices the user made, since it is on a layer. I rarely use auto levels as a ending point, but it is often something I try as a starting point. The reason I mentioned the auto setting, is that is when I seem to see the most obvious colour shifts, which is what the Luminance blending mode really helps combat.

  6. Wow! I'm scouring this article… the layer structure… it's permanent if I make a jpeg… I think.

  7. cfimages says:

    I get it. Sorry for the confusion – I thought you meant using Auto-Levels separately. Since Lightroom was released, I find that I only really use PS for some portrait retouching and noise plug-ins. I don't think I've ever thought to try Auto Levels on a layer.

  8. cfimages says:

    Yeah, it's permanent if you save as a jpeg (and each time you open and resave a jpeg you slightly corrupt the file), but you can save as a TIFF or PSD and keep the layers intact. It creates a bigger file size, but with external 1TB harddrives around NT$3600 (US$110) bigger file size is not something that I worry about. Thanks for the comment.

  9. Jeff says:

    Thank you for such a wonderful tutorial. Keep up the good work!

  10. cfimages says:

    Glad it was useful. Thank you.

  11. Jeff says:

    Thank you for such a wonderful tutorial. Keep up the good work!

  12. cfimages says:

    Glad it was useful. Thank you.

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