The road markings, the kerb, the wall all demonstrate use of horizontal lines. Beitou, Taiwan.

Back in January, I wrote about leading lines in photography. A few readers have requested an expansion on that, so for the next few days, I’ll be taking a more detailed look at some of these basic elements of composition. We’ll start things off with a look at horizontal lines. More after the jump.

Before that, however, I’ll officially announce that my newest eBook, More Tips, Tricks and Pics is available for purchase. It features a compilation of tips that have been highlighted on this site throughout February. Only $5, it’s a great way to get all the tips in one easy to read eBook.

In the leading lines tip I wrote

horizontal lines may suggest peacefulness and a sense of calm.

That can be expanded upon to suggest a general sense of rest and stability. Perhaps the most common example of a horizontal line in photography is that formed by the horizon. This serves as a dividing point in the image, and where you place this dividing point is of critical importance. In general, a horizon should not be placed in the middle of the frame. Instead, look to position it in either the lower third or upper third. Placing in lower is probably more natural, giving a greater sense of stability, but it’s by no means set in stone. Low placement is especially good when there are interesting clouds or a colorful sunset in the picture. Placement in the upper third is most useful when there is something in the foreground that really calls for the viewers attention. It is also essential to make sure that the horizon is in fact, horizontal. Skewed and angled horizons leave the viewer frustrated and uninterested.

Repeating or multiple lines are commonly used compositional techniques. Often based on contrast, they both establish location and suggest direction. The lines do not have to be perfect straight edges. In some ways, perfect straight edges are not really desirable aesthetically because it’s not how we actually see the world. Jagged edges and slight curves are more in tune with the natural world. Uneven or irregular groupings of subjects, stretching into the distance can seemingly form themselves into lines at certain viewing angles. From a high vantage point, it may look like a chaotic mess but from a lower angle it may appear as horizontal lines disappearing into the distance.

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