Phottix Odin

It’s here. The Phottix Odin, an ETTL capable remote flash trigger that has just hit the market. The release announcement was today and they will start shipping next week. I’ll add some links to the Phottix Store as soon as it’s ready to buy. From talk that’s gone on around the photography world in recent months, this is a device that has been eagerly awaited by many since it was first announced earlier this year. As a Phottix-sponsored photographer, I’ve had the opportunity to spend some time over the past few months testing with demo samples of the Odin and providing some feedback to Phottix from real world situations. Now that it’s been released, I can offer you my thoughts on this unit. What follows is based on my experiences with the Odin and is in no way influenced by my relationship with Phottix.

Firstly though, some specs. So far, the Odin is only available for Canon but they are working on a Nikon version. The Phottix Odin boasts the following.

Technical Specifications

• Frequency: 2.4 GHz
• Distance: 100m+
• Channels: 4 channels
• Groups: 3 groups – A, B, C
• Batteries: 2 x AA batteries (TCU and Receiver), 5V DC on receiver (external power port)
• Max sync speed: 1/8000 sec*
• Output: Hot shoe, 3.5 mm port (receiver)
• Input: USB port (transmitter and receiver)
• Attachment: 1/4 tripod lug, cold shoe (Receiver)
• Input voltage:2.4-3.2V
• Flash port voltage handling: 6V (transmitter) ≤300V(receiver)
• Body dimensions: 94(L) x 66(W) x 35(H) mm, (transmitter), 90(L) x 45(W) x 40(H) mm (receiver)
• Antenna: built-in PCB antenna
• Weight: 105g (transmitter), 66g (receiver) – without batteries
• Operating temperature: -15—65 C
• Storage temperature: -30—85 C

* On compatible cameras / flashes

Notice that maximum sync speed – 1/8000. Pretty sweet. Here’s proof.

1/8000 (click to zoom in - speed is in the upper right)

For years now, I’ve been a dedicated proponent of manual flash usage. Give me a speedlight with manual settings and a remote trigger and I can eyeball a scene and get my settings correct first time 90% of the time. There’s no secret to it, it’s just a factor of experience and knowing my gear. I was never interested in TTL, possibly because Canon’s ETTL leaves a lot to be desired when compared to Nikon CLS. With the Phottix Odin though, that’s all changed. Now, when I need to use a speedlight or three in my work, it’s the Phottix Odin that I find myself reaching for.

Nothing is more frustrating during a photo shoot than setting up lights and then finding you need to adjust the power, especially after you’ve placed the light in a hard to reach place. Perhaps you’re balancing the speedlight with late afternoon ambient light and as the natural levels decrease, you need to make a corresponding adjustment to your strobe to maintain the correct balance. Assuming you don’t want to adjust your aperture to affect the flash output, you need to walk over to the light, lower the stand, make your power adjustment and put it back in place. Sounds simple, but if you and your subject are in a “zone”, that small interruption may be enough to affect the mood or concentration. Which brings me to the first thing I love about the Phottix Odin. You can make all your adjustments to power settings remotely from the transmitter unit on the camera. No need to break concentration, a few clicks of the button on the Odin transmitter and you can increase or decrease the amount of light without affecting any other setting.

In the stream - using the Phottix Odin on location.

Two other great features of the Phottix Odin are the ability to use second-curtain sync and high-speed sync. Both of these functions have been effectively off-limits to photographers working with manual lights so to have access to them now is a fantastic step forward for a lot of people. High-speed sync is especially useful in this part of the world. Not only does it work wonders in action photography, so many location shoots seem to get scheduled during the middle of the day in here in Taiwan and having a high-speed sync function makes it simple to kill the ambient if needed. While a photographer would always try and schedule a location shoot when the light is better, it’s not always up to the photographer so this is a real help. More commonly though, you’ll probably be using it in action shots, especially if it’s just a touch of fill lighting you need. You will lose a stop or two of light when using high-speed sync but as long as you’re aware of that and work around it, you shouldn’t find it an issue.

Jogging with high-speed sync.

With about 4 months of use of the Phottix Odin in hand now, I can safely give it a big thumbs up. I’m told that the final release version has had a firmware update which will allow it compatibility with the Phottix Strato flash trigger. This is big news, as it makes for a much easier upgrade path for a lot of photographers. Those Strato’s you already have won’t just sit there gathering dust if you pick up a set of Phottix Odin. Note that I haven’t actually been able to test this personally as my copy of the Odin is an earlier test model. If I get my hands on one of the production versions, I’ll be sure to give it a try and let you know.

UPDATE – Phottix sent me the firmware upgrade which can conveniently be done via the USB port on the units and I made the quick and easy upgrade to give me compatibility with my Strato units. I’ll do some testing over the weekend and post the results in a couple of days.

Chips and salsa. Window light for the main and an Odin-triggered speedlight for fill.

The worlds largest annual photography trade show is set to start for another year. PMA 2008, held in Las Vegas from January 31st to February 2nd, has already seen a few announcements of the DSLR side of things.

In a widely expected move, Canon have announced the successor to the 400D, to be called the 450D (Rebel XSi). With 12 megapixels, a new 14-bit processor and Live View, it’s sure to be a big seller for Canon. DPReview has all the details.

Pentax have announced a couple of new cameras. As an entry level camera, the K200D replaces the K100D, and the K20D replaces the K10D.

The sensor technology in the Pentax was developed and made by Samsung, so it comes as no surprise to see a Samsung DSLR announced as well. The GX-20 is essentially the same as the Pentax K20D with a slightly different body design and a different menu system.

The worlds largest annual photography trade show is set to start for another year. PMA 2008, held in Las Vegas from January 31st to February 2nd, has already seen a few announcements of the DSLR side of things.

In a widely expected move, Canon have announced the successor to the 400D, to be called the 450D (Rebel XSi). With 12 megapixels, a new 14-bit processor and Live View, it’s sure to be a big seller for Canon. DPReview has all the details.

Pentax have announced a couple of new cameras. As an entry level camera, the K200D replaces the K100D, and the K20D replaces the K10D.

The sensor technology in the Pentax was developed and made by Samsung, so it comes as no surprise to see a Samsung DSLR announced as well. The GX-20 is essentially the same as the Pentax K20D with a slightly different body design and a different menu system.

Canon has moved digital SLR resolution over the twenty megapixel barrier with the new EOS-1Ds Mark III. The much anticipated Mark III version of the full-frame EOS-1Ds delivers medium-format threatening resolution; 5616 x 3744 (21.1 million) pixels to be precise, in a portable and robust five frames per second Canon EOS body. From a built, function and usability point of view the EOS-1Ds Mark III is identical to the EOS-1D Mark III apart from the full frame (36 x 24 mm) sensor, (naturally) larger viewfinder and UDMA support (up to 45 MB/sec) for Compact Flash cards.

Press Release

CANON U.S.A.’s NEW LINE-LEADING, 21.1-MEGAPIXEL, FULL-FRAME EOS-1Ds MARK III DIGITAL SLR KEEPS CANON AT THE TOP OF THE PRO PHOTO CLASS
Responsive, Ultra-High Resolution, Ultra-Low Noise CMOS Sensor and Dual “DIGIC III” Image Processors Power the EOS-1Ds Mark III Into the Realm of Medium-Format Digital Cameras, at a Fraction of the Cost – Fast, New Ultra Wide-Angle 14mm Lens Is a Picture Perfect Match for the Camera’s Full Frame Sensor –

LAKE SUCCESS, N.Y., August 20, 2007 – The new 21.1-megapixel, full-frame Canon EOS-1Ds Mark III Digital SLR* camera brings the power of Canon U.S.A., Inc.’s professional imaging excellence and innovation into sharper focus than ever before. While Canon’s EOS-1D series has dominated the 35mm-based professional Digital SLR market for the past six years, the new EOS-1Ds Mark III Digital SLR takes Canon’s pro-digital prowess into and the realm of high-fashion and commercial photo studios where bulkier, medium-format cameras previously reigned.

The Canon EOS-1Ds Mark III’s compact, lighter-weight magnesium alloy body is rugged and versatile enough to take out of the studio and into the field. The camera’s fast, five-frame-per-second (fps) shooting rate for bursts of up to 56 Large/Fine (21-megapixel) JPEGS or 12 RAW images is unmatched in its class, making it the ideal instrument for capturing the fluid motion and free-flowing lines of location-based fashion photography as well as a wide range of other professional photographic applications.

The Canon EOS-1Ds Mark III professional digital single lens reflex camera is scheduled to begin shipping in November and will have an estimated selling price of $7,999† (the same price as its predecessor, the 16.7 megapixel EOS-1Ds Mark II).

“The EOS-1Ds Mark III Digital SLR camera is a prime example of the EOS philosophy and Canon’s ongoing commitment to providing photo professionals with the tools they need to create the finest quality images,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. “To continue our legacy, we must provide not only the right professional tools, but also the finest photo tools for the job and do so consistently, whether we are presenting this exemplary EOS-1Ds Mark III SLR camera, or any one of the many fine specialty lenses, flashes and accessories that populate the EOS professional photo system.”

Revolutionary Resolution
Developed and manufactured by Canon specifically for the EOS-1Ds Mark III Digital SLR, the camera’s new full-size 36 x 24 mm CMOS image sensor offers the highest resolution in its class, and is comprised of approximately 21.1 million effective pixels (5632 x 3750) set at a pitch of 6.4 microns. The user can select any one of six recording formats ranging from 21.0 megapixels in Large JPEG or RAW format, 16.6 or 11.0 megapixels in the two medium JPEG sizes, or 5.2 megapixels in the small JPEG or “sRAW” formats. In any JPEG format, the user can set one of ten compression rates for each image size. In sRAW mode, the number of pixels is reduced to one-fourth that of a standard RAW image and the file size is cut in half, while retaining all of the flexibility and creative possibilities associated with full-size, traditional RAW images.

Dual “DIGIC III” Image Processors
Fulfilling the ultra-low noise, ultra-high image quality promise of the EOS-1Ds Mark III Digital SLR camera requires handling the enormous signal processing requirements of the camera’s 21-megapixel resolution and top continuous shooting speed of five fps. To accomplish this, Canon has incorporated two identical DIGIC III imaging engines into the camera for parallel (and hence, faster) signal processing. The CMOS sensor reads out to the dual “DIGIC III” processors simultaneously in eight channels. DIGIC III is the next generation of Canon’s proprietary image processing engine. This technology ensures the fine details and natural colors of images are optimally recorded and, as an added bonus, is responsible for the EOS-1Ds Mark III SLR’s high-speed performance, faster signal processing and more efficient energy consumption.

Adding to the improved virtuosity of the images captured by the EOS-1Ds Mark III Digital SLR camera is the camera’s 14-bit Analog-to-Digital (A/D) conversion process. Able to recognize 16,384 colors per channel (four times the number of colors recognized by the EOS-1Ds Mark II Digital SLR camera’s 12-bit conversion capability), this line-leading model is able to produce images with finer and more accurate gradations of tones and colors. Additionally, given the significantly larger image file sizes created by the EOS-1Ds Mark III Digital SLR camera, Canon has provided compatibility with the new Ultra Direct Memory Access (UDMA) compact flash memory card specification, which enables ultra-high-speed data transfer to the card. Utilizing a UDMA compliant card doubles the data transfer speed compared to a conventional memory card, putting the new EOS-1Ds Mark III on par with the 10.1-megapixel EOS-1D Mark III camera, even though the pixel count of this new model is more than twice as large.

Advanced Autofocus Technology
The EOS-1Ds Mark III autofocus system – first introduced earlier this year on the EOS-1D Mark III Digital SLR – has 45 AF points including 19 high-precision cross-type points and 26 Assist AF points. This new array allows the 19 cross-type points to be divided into groups of nine inner and nine outer focusing points plus a center point, which makes picking an individual focusing point much faster and easier than going through all 45. During manual AF point selection, the AF point area is expandable in two stages via Custom Function control.

At the request of sports and wildlife photographers, a new micro-adjustment feature allows for very fine changes in the AF point of focus for each lens type in use, along with the addition of adjustable focus-tracking sensitivity as another sophisticated new AF feature. Other new components in the AF system include the reconfigured concave submirror and the secondary image formation lens, both products of Canon’s vast expertise in optical engineering. Finally, the low-light sensitivity of the new AF sensor has been doubled to EV-1 for superior performance, compared with earlier EOS digital SLRs.

Live View
One of the dynamic innovations incorporated into new EOS Digital SLRs – and optimized for professional shooters on the EOS-1Ds Mark III Digital SLR – is Canon’s Live View shooting mode which provides photographers with an expanded and exceedingly convenient set of shooting options beyond the conventional SLR through-the-lens viewing. Framing and shooting subjects using the camera’s LCD screen affords the shooter the same 100 percent field of view provided by the optical viewfinder – this is a full-frame digital SLR after all – but Live View has the added advantage of allowing the image to be more easily composed on the camera’s bright and brilliant 230,000-pixel, three-inch LED screen. Additionally, the LCD-viewed image can be magnified by five or ten times in order to ensure that the shot is optimally focused.

Live View is at its best during tripod shooting, particularly for close-up photography where precise focusing is imperative. As a side benefit, the Live View shooting mode helps to reduce vibration by lifting the reflex mirror out of the optical path well in advance of the exposure, improving image quality at slow shutter speeds. Additionally, as the release time lag is miniscule, even instantaneous movements like a bird taking flight can be readily captured. The shutter charge sound can be delayed and made quieter than normal in Live View mode to avoid spooking wildlife or disturbing people nearby with unwanted camera sounds.

If a user is going to be several feet away from the camera, such as in some studio settings, the EOS-1Ds Mark III can be connected by cable to a computer via its USB 2.0 High-Speed interface. The camera can also be operated remotely at distances up to 492 feet with the assistance of the optional Wireless File Transmitter WFT-E2A which allows users to view images directly off the camera’s sensor in virtually real-time, with the ability to adjust many camera settings quickly and easily.

Viewing Display
Easy to read, even in outdoor conditions such as bright sunlight, the EOS-1Ds Mark III Digital SLR camera features a three-inch, 230,000-pixel wide angle LCD display screen. The TFT color liquid-crystal monitor features seven user-settable brightness levels and a wide, 140-degree viewing angle, both horizontally and vertically. An added advantage of the large, three-inch display size is the ability to utilize a larger font size for text, making it easier to read setting and menu options on the screen.

Canon extends its “ease-of-reading” policy to the EOS-1Ds Mark III’s viewfinder as well. Bright and clear with zero distortion and a 100 percent picture coverage and a magnification factor of .75x, it is the finest viewfinder ever placed in an EOS camera.

EOS Integrated Cleaning System
Another first for a professional digital SLR of this caliber is Canon’s complete dust management solution, called the EOS Integrated Cleaning System. The new CMOS image sensor is designed with a lightweight infrared absorption glass cover that vibrates for 3.5 seconds when the camera is turned on or off. This brief delay can be cancelled immediately upon start-up by pressing the shutter button half way. Dust that has been shaken or blown loose of the sensor is trapped by adhesive surfaces surrounding the sensor unit housing, preventing the problematic particles from reattaching themselves to the filter when the camera moves.

Like its sibling, the EOS-1D Mark III, the shutter of the EOS-1Ds Mark III Digital SLR camera carries a durability rating of 300,000 cycles and, though it generates less dust, it still charges itself three times during the manual cleaning process so that dust is shaken off the shutter curtains as well. This cleaning system uses very little battery power and can be turned off in the custom function menu.

The second part of the dust management system is a software solution that maps the location of any spots that may remain on the sensor. The mapped information is saved as Dust Delete Data and attached to the image file. Subsequently, the offending dust information is subtracted from the final image during post processing, using the supplied Digital Photo Professional software.

Rock Solid Reliability
The entire body of the EOS-1Ds Mark III, including its internal chassis and mirror box, is made of an advanced magnesium alloy for exceptional strength and rigidity. Comprehensive weatherproofing at 76 locations on the camera body ensures superior reliability, even when shooting in harsh environments. Together with the 300,000-cycle shutter durability rating, these features result in a camera that, even though it is six ounces lighter than the EOS-1Ds Mark II, can truly withstand even the most severe shooting conditions.

Improved Software
Among the most valuable features of the EOS-1Ds Mark III Digital SLR is its compatibility with Canon’s new Picture Style Editor 1.0 software. With PSE, photographers can personalize the look of their photographs by inputting their own preferred image processing parameters, including custom tone curves. The EOS-1Ds Mark III Digital SLR also ships with the latest versions of Canon’s powerful software applications, including Digital Photo Professional 3.2 and EOS Utility 2.2, which support the camera’s Remote Live View and Dust Delete Data functions, as well as incorporating a broad range of additional improvements designed to improve image quality and speed up workflow. Particularly noteworthy in DPP 3.2 is a new Lens Aberration Correction Function that corrects various image defects such as chromatic aberration, color blur, vignetting and distortion. Initially, the Lens Aberration Correction Function will support images captured by the EOS-1Ds Mark III and 11 other EOS Digital SLRs using any of 29 individual EF and EF-S lenses. Also included are ZoomBrowser EX 6.0 and ImageBrowser 6.0 for easy browsing, viewing, printing and archiving with compatible computer operating systems, including Microsoft Windows Vista and Windows XP, as well as Mac OS X.

Canon EF 14mm f/2.8L II USM Lens
Designed primarily for discerning landscape and architectural photographers, the Canon EF14mm f/2.8L II USM lens is ideally suited to the EOS-1Ds Mark III’s full-frame capability. Measuring 3.7 inches in length and weighing in at under 23 ounces, this ultra-wide angle L-series prime lens is well corrected for rectilinear distortion, provides a 114-degree diagonal angle of view, and delivers high-speed autofocus with higher image quality overall including superior peripheral image quality, compared to its predecessor, the stalwart EF 14mm f/2.8L USM lens.

While its large diameter, high-precision aspherical and UD elements, optimized lens element positioning, and flare and ghost-reducing lens coating ensure that this lens delivers the top optical performance in its professional class, Canon has added other features photographers have been asking for – improved dust and water resistance incorporated around the mount, switch panel and focusing ring, and a round aperture that creates a nice background blur and makes it easier to recognize an out-of-focus scene in less than brightly lit conditions. Furthermore, Canon has created a new lens cap specifically for the EF 14mm f/2.8L II USM that is held to the lens by a stopper. The Canon EF14mm f/2.8L II USM lens is scheduled to begin shipping to stores in October at an estimated selling price of $2,199†.

About Canon U.S.A., Inc.
Canon U.S.A., Inc. delivers consumer, business-to-business, and industrial imaging solutions. The Company is listed as one of Fortune’s Most Admired Companies in America and is on the 2006 BusinessWeek list of “Top 100 Brands.” Its parent company, Canon Inc. (NYSE:CAJ), is a top patent holder of technology, ranking third overall in the U.S. in 2006††, with global revenues of $34.9 billion. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/pressroom.

FCC Disclaimer
* This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

Canon EOS 40D Specifications

• Resolution: Approximately 10.1 million effective pixels (total pixels: approximately 10.5 million)
• Recording pixels: 3888 x 2592
• Sensor type: CMOS sensor, with primary R-G-B filtration
• Sensor size: 22.2 x 14.8 millimeters
• Pixel size: 5.7 microns square
• Lens focal length factor: 1.6x
• Sensor dust removal: EOS Integrated Cleaning System; active removal of dust by vibrating front low-pass filter; automatic removal of dust spots, in Canon Digital Photo Professional software (v. 3.1 or higher)
• Maximum frames per second: 6.5 frames per second (fps) at full resolution
• Maximum number of frames / burst: JPEG: 75; RAW: 17
• Shutter speeds: 30 seconds to 1/8000, plus Bulb (1/3 or 1/2-step increments)
• Flash sync speed: Up to 1/250, with EX-series Speedlites
• Anticipated shutter durability: 100,000 exposures, based on Canon test methods
• Computer interface: USB 2.0 (Hi-speed)
• Image recording storage media: CompactFlash (CF) cards (type I or II, including Microdrives)
• Card compatibility: “FAT32″ compatible–OK for cards over 2GB
• Image format options: JPEG (choice of “Fine” or “Normal” compression); RAW (Canon .CR2 RAW file format); RAW + JPEG (any JPEG file size available; JPEG file written as separate file)
• Analog to digital conversion: 14 bits per channel (16,382 separate tones from brightest to darkest, for each channel)
• Resolution options: “Large”–3888 x 2592 (approximately 10.1 million pixels); “Medium”–2816 x 1880 (approximately 5.3 million pixels); “Small”–1936 x 1288 (approximately 2.5 million pixels)
• File numbering: sRGB color space: IMG_0001.JPG or IMG_0001.CR2; Adobe 1998 RGB color space: first character is always underscore (_)
• Folders: Automatically created for image storage; new folder can be user-created with “Manual Reset” function; folders cannot be freely selected on memory card by the photographer
• Highlight tone priority: Expands tonal range of bright highlights by about one stop; ISO range limited to 200 to 1600; activated by C.Fn II-3-1
• Data verification: “Original Image Data” can be appended to each image via Custom Function IV-6-1; requires optional Canon Original Data Security Kit OSK-E3 to check authenticity
• Live View viewing options: Camera’s LCD monitor; computer monitor, via USB; computer monitor, via wireless transmitter WFT-E3A
• Manual focus: Viewed on LCD monitor, with option to magnify focus area 5x or 10x
• Autofocus: Possible–C.Fn III-6-1 active, press AF On button; mirror drops down temporarily while AF On button is pressed, allowing AF to function
• Silent mode Live View shoot: Mode 1: First shutter curtain remains open; shooting up to 6.5 fps possible; Mode 2: Quieter option; 2nd shutter curtain doesn’t close until user’s finger is taken off shutter button
• Accessory wireless transmitter: Canon WFT-E3A (optional, dedicated wireless transmitter)
• Attachment to camera: Attaches to base of camera; totally integrated with EOS 40D’s design
• Wireless transfer methods: 802.11b or 802.11g; link speed: approximately 11 megabits/second (802.11b) or 54 megabits/second (802.11g)
• Connection method: Infrastructure or Ad Hoc (802.11g functions in Ad Hoc mode)
• Maximum wireless distance: Approximately 490 feet (150 meters), if “receiver” has its own antenna (depends on environment)
• Wireless channels: 11 (in North American market)
• Ethernet (wired) transfer: Yes; Ethernet 100Base-TX (maximum distance approximately 1,000 feet); link speed: approximately 100 megabits/second
• Transfer options: 1. FTP mode (images sent to folder on host computer); 2. PTP mode (remote control of camera possible from computer); 3. HTTP mode (view camera’s files using web browser; remote firing of camera possible)
• Security options: Encryption: WEP or TKIP/AES; authentication: open system, WPA-PSK, or WPA2-PSK
• USB “host” capability: Plug compatible USB devices into WFT-E2A, for use with the EOS 40D; GPS devices (write GPS time, coordinates, and altitude info into each file’s EXIF info); external hard drive (connect compact external USB hard drive, and write files directly from camera to the hard drive as if it’s an additional memory card)
• LCD monitor: 3.0-inch (diagonal) TFT color; approximately 100% coverage; approximately 230,000 pixels on monitor; approximately 140 degrees viewing angle
• LCD monitor brightness: Adjustable in 7 levels (via Menu)
• Video-out: Yes (to standard TV monitor); NTSC or PAL, selectable on Menu
• Number of AF points: Nine, all cross-type AF points
• Center AF point: Unique hybrid cross-type AF point; world’s first high-precision AF point with both horizontal and vertical high-precision; additional standard precision, cross-type sensors for lenses from f2.8 to f5.6
• AF point selection: 1. Manual AF point selection via 9-way multi-controller on back of camera; 2. automatic AF point selection
• AF activation: Shutter button, or new AF On button at back of camera
• AF modes: One-Shot AF (for stationary subjects); AI Servo AF (for tracking moving subjects); AI Focus AF (auto selection of One-Shot or AI Servo AF)
• AF sensor: Entirely new Canon CMOS AF sensor
• AF sensitivity range: EV -0.5 to 18 (at 73 degrees F / 23 degrees C, ISO 100)
• Shutter speeds: 30 seconds to 1/8000 second, plus Bulb (1/3 or 1/2-step increments); x-sync at 1/250
• ISO range: 100 to 1600, in 1/3-step or full-stop increments; ISO can be expanded to 3200 via C.Fn I-3-1
• Auto ISO: Can be set in any exposure mode, including P, Tv, Av, and M; ISO usually based at 400; typical auto range is 100 to 800, depending on conditions; manual exposure mode: auto ISO fixed at 400
• Exposure modes: Manual, Aperture-priority (Av), Shutter-priority (Tv), Program AE
• Full-auto modes: Green Zone, Portrait, Landscape, Close-up, Action, Night Portrait, Flash Off
• Metering: 35-zone metering sensor; Evaluative metering (linked to all AF points); Center-weighted metering; Partial metering; Spot metering at center of picture (approximately 3.5% of picture area)
• Metering range: EV 0 to 20 (all patterns, at normal temperatures)
• Exposure compensation: Possible in P, Tv, Av, and A-DEP exposure modes; +/- up to two stops, in 1/2 or 1/3-stop increments (via Quick Control Dial)
• Autoexposure bracketing: Possible in P, Tv, Av, M, and A-DEP exposure modes; +/- up to two stops, in 1/2 or 1/3-stop increments
• Compatible flashes: All Canon EX-series Speedlites, including new Speedlite 580EX II
• Camera menu sets flash: Yes (580EX II only, as of August 2007)
• E-TTL II flash metering: Flash metering not linked to active AF point; distance from compatible EF lenses now used; entire metering area can be averaged using Custom Function 14-1
• Modeling flash: 1-second burst of flash possible at 70Hz when depth-of-field preview button is pressed (580EX/EX II, 550EX, 420EX, MR-14EX, MT-24EX, and Speedlite transmitter only)
• Wireless E-TTL: Fully compatible, including ratio setting over six-stop range
• Flash exposure compensation: Up to +/- 2 stops can be set on camera body (can also be set on compatible Speedlites)
• Built-in flash: Covers lenses as wide as 17mm (27mm equivalent); Guide Number 43 (feet)/13 (meters), ISO 100
• Viewfinder focus screen: New interchangeable “Ef” series focusing screens; standard screen: Ef-A–precision matte screen very similar to EOS 30D; optional Ef-D screen–precision matte with grid lines; optional Ef-S screen–Super precision matte (superior manual focusing with fast lenses, f1.8 to f2.8)
• Viewfinder display: Similar to EOS 30D; new: ISO is always displayed; new: B/W shooting mode icon; new: maximum burst available now two digits
• Dioptric adjustment: User-set from -3.0 to +1.0 (range can be extended using optional Canon dioptric Lens E, plus rubber frame Eb)
• Mirror lock-up: Possible via Custom Function III-6-1
• Eyepiece shutter: None (cover is provided on included strap)
• Color space: Standard sRGB or Adobe 1998 RGB (separate setting on Menu)
• White Balance: Auto; Pre-set (Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash); color temperature (set by user from 2500K to 10,000K in 100K increments); custom (shoot white object or 18% gray card, base WB on that neutral object)
• White Balance correction: Fine-tuning of overall color, in any white balance mode; amber/blue correction, in 9 steps; magenta/green correction, in 9 steps; set on graph on LCD monitor, using 9-way controller; both types of correction can be combined
• White Balance bracketing: Three separate files written with a single click of the shutter; can be varied in the amber/blue direction, or the magenta/green direction; can be adjusted up to +/- 15 mireds (equivalent to 3 steps on the 9-step adjust scale); can be combined with standard auto exposure bracketing (9 files written to CF card)
• Picture style: Extensive range of settings for user to tailor color, contrast, sharpness, etc. to their preference; same characteristics as previous EOS SLRs with Picture Style control
• Black and white recording: Set via monochrome setting within Picture Styles menu
• Computer connection: USB 2.0 Hi-speed, via small “B”-type USB connection
• Remote control: N3-type push-in terminal (same as EOS 20D, EOS-1D Mark II, etc.)
• Video-out: Single-pin mini-jack
• Direct Printing compatibility: PictBridge printing to compatible Canon and other brand printers
• Compatible images: JPEG, RAW, or sRAW, if they comply with DCF protocol
• Preview effects on camera’s LCD: Printing effects can be previewed (includes brightness, levels, contrast, color saturation, color tone, and color balance–face brightener and red-eye correction cannot be viewed)
• Connection to printer: Via USB cable included with camera
• DPOF image marking: Compatible; images can be “tagged” while reviewing on LCD monitor
• Battery: BP-511A, BP-511, or BP-512 (rechargeable lithium-ion, same as EOS 30D) (BP-511/BP-512: 1100mAh; BP-511A: 1390mAh)
• Shooting capacity: Approximately 1100 shots (at 68 degrees F / 20 degrees C); approximately 800 shots (at 32 degrees F / 0 degrees C)
• Charger unit: Canon CB-5L or CG-580 (also can be charged with compact power adapter CA-PS400)
• AC adapter: AC adapter kit ACK-E2 (optional; consists of adapter AC-E2, and “dummy battery” DR-400)
• Battery grip (optional): Battery grip BG-E2N or BG-E2
• Date/time back-up battery: CR2016 lithium battery–coin-type; user-replaceable (estimated life 5 years)
• Body exterior material: Magnesium alloy top, front, and rear covers
• Chassis material: Polycarbonate and stainless steel
• Lens mount: EF lens mount; metal; compatible lenses: all Canon lenses for EOS cameras
• Compatible with EF-S lenses: Yes
• Custom functions: 24 custom functions, in four distinct categories; 9 entirely new custom functions
• Operating temperature range: 32 degrees to 104 degrees F, at 85% or lower humidity (0 degrees to 40 degrees C)
• Dimensions (W x H x D): 5.7 x 4.2 x 2.9 inches (145.5 x 108 x 73.5 millimeters), very slightly larger than EOS 30D
• Weight (without battery or CF card): 26.1 ounces (740 grams), approximately 1.4 ounces (40 grams) heavier than EOS 30D

Canon have announced the upcoming release of the Canon EOS 40D, the successor to the EOS 30D. Months of speculation and rumors have been put to rest, with the camera due to go on sale in September 2007, priced at US$1299. Also announced is a new lens, the EF 18-55mm f3.5/5.6 IS due to be available in October 2007 for US$199.

Canon Press Release.

The Wait is Over: CANON U.S.A.’S HIGHLY ANTICIPATED EOS 40D DIGITAL SLR DELIVERS HIGH-RESOLUTION IMAGE QUALITY, HIGH-SPEED SHOOTING AND HIGH-END FUNCTIONALITY
Fastest in Class 6.5 FPS Shooting Speed, New Autofocus Sensor and Newly Enhanced 10.1 Megapixel CMOS Imaging Sensor Combine to Boost the EOS 40D’s Appeal While Maintaining its Accessible Mid-Market Pricing

LAKE SUCCESS, N.Y., August 20, 2007 – Following months of intense anticipation by Digital SLR enthusiasts worldwide, the EOS 40D DIGITAL SLR Camera from Canon U.S.A., Inc. is scheduled to begin sailing into stores in early September. Building on the success of Canon’s perennially popular “prosumer” EOS 20D and 30D models, the EOS 40D advances the state-of-the-art for mid-range Digital SLR cameras, making it a natural first choice for advanced amateur photographers and entry-level professionals, and an ideal second body for more established photo pros. Indeed, given the level of feature upgrades and improvements, technological wizardry and user-requested creative controls, the Canon EOS 40D SLR’s “prosumer” appellation may refer more to its accessible price point than to the exceptional quality, clarity and resolution of the images it creates.

From the camera’s newly enhanced, 10.1-megapixel CMOS imaging sensor (designed and manufactured by Canon) and its proprietary and super-efficient DIGIC III image processor, to its completely redesigned autofocus sensor and fast, 6.5 frame-per-second (fps) continuous shooting capability (for bursts of up to 75 Large/Fine JPEGs or 17 RAW images), the EOS 40D SLR puts the fun in functionality and makes serious photo business a positive pleasure.

Indeed, at 6.5 fps, no Digital SLR in the EOS 40D mid-range class and price category has so high a continuous shooting capability1, making it ideal for shooting – and actually capturing – speed-sensitive outdoor and wild-nature shots as well as a wide variety of action and sports scenes. The speed of the EOS 40D SLR comes from Canon’s balanced combination of its latest processor, DIGIC III, DDR SDRAM high-speed memory, four-channel-per-line sensor readout, and two separate motors for shutter and mirror operation.

“This newest member of Canon’s Digital SLR family takes mid-range Digital SLRs to exciting new heights with enhanced resolution and image quality, faster shooting and processing speeds and better overall functionality than ever before,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.”The EOS 40D Digital SLR Camera incorporates many Canon innovations and advancements that differentiate our products from the competition, while respecting and reinforcing our long-standing traditions of providing superior value and innovative imaging technology.”

Display’s the Thing
The most easily visible upgrade on the EOS 40D Digital SLR is the camera’s larger three-inch LCD screen (compared with the EOS 30D’s 2.5-inch monitor). Still, size is only the beginning of the difference between these two cameras’ displays. In order to increase viewing ease in outdoor conditions such as bright sunlight, Canon raised the brightness level of the EOS 40D camera’s 230,000-pixel LCD screen, broadened the color gamut and narrowed the viewing angle from 170 degrees to a still wide 140-degree perspective in all directions. An added advantage of the larger-sized display is the ability to use a larger font size for text, making it easier to read setting and menu options on the screen. The camera’s menu is organized in the same tabbed format as the EOS-1D Mark III Digital SLR.

Canon extends its “ease-of-reading” policy to the EOS 40D SLR’s viewfinder as well. The upgraded viewfinder increases optical magnification from 0.90x to 0.95x, expands the viewing angle from 251 degrees to 264 degrees and raises the eye point from 20mm to 22mm.

Enhanced Durability
Recognizing the often rigorous shooting conditions encountered by professional and advanced amateur photographers, Canon design engineers made the EOS 40D SLR’s magnesium alloy exterior even more ruggedly dependable than its predecessors with upgraded dust and weather resistant construction, particularly around the camera’s connection ports, battery compartment and single-slot compact flash memory card door. Should the user inadvertently open the compact flash card door while the camera is writing to the card, a warning will pop up on the LCD screen and an open door “alarm” will sound, but the image(s) will continue writing to the memory card without interruption. The EOS 40D SLR also retains many of the outstanding features of the EOS 30D model, such as its fast 0.15-second initial start-up, its extremely durable shutter (rated up to 100,000 cycles), its top shutter speed of 1/8000 sec and 1/250 maximum X-sync flash shutter speed setting.

Improved Image Quality
Although it is based on the image sensor used in the EOS Digital Rebel XTi, the EOS 40D Digital SLR’s 10.1-megapixel CMOS APS-C size image sensor has been significantly improved thanks to the use of larger microlenses over each pixel to reduce noise and expand sensitivity up to ISO 3200. The EOS 40D retains the model 30D camera’s 1.6x focal length conversion factor (compared to full-frame digital image sensors or 35mm film) and is compatible with the full line-up of Canon EF lenses as well as the Company’s expanding selection of high-quality, affordable EF-S lenses created specifically for Canon Digital SLRs with APS-C size image sensors.

Adding to the improved virtuosity of the images captured by the EOS 40D SLR is the camera’s 14-bit Analog-to-Digital (A/D) conversion process. Able to recognize 16,384 colors per channel (four times the number of colors recognized by the EOS 30D SLR’s 12-bit conversion capability), the EOS 40D camera is able to produce images with finer and more accurate gradations of tones and colors. The EOS 40D also incorporates the optional Highlight Tone Priority and High-ISO Noise Reduction functions first introduced earlier this year with the EOS-1D Mark III Professional Digital SLR.

DIGIC III
DIGIC III is the latest generation of Canon’s proprietary image processing engine. DIGIC III technology ensures that the fine details and natural colors of the images are optimally recorded and, as an added bonus, is also responsible for the EOS 40D SLR’s high-speed performance, faster signal processing and even its efficient energy consumption.

sRAW
In addition to retaining the RAW image capture capabilities of its predecessors, the EOS 40D SLR now offers a more manageable “sRAW” recording format. In sRAW mode, the number of pixels is reduced to one-fourth that of a standard RAW image and the file size is cut in half, while retaining all of the flexibility and creative possibilities associated with full-size, conventional RAW images.

Improved Autofocus and Exposure Control
While the EOS 40D SLR maintains the nine-point wide area AF coverage first introduced on the EOS 20D camera, Canon has made significant improvements to its speed, precision and functionality, minimizing subject recognition problems in the process. The EOS 40D camera’s completely redesigned nine-point AF sensor provides cross-type AF measurement at all nine focusing points for maximum apertures up to f/5.6, and for the first time in any EOS camera, the central AF point offers enhanced precision for both vertical and horizontal subject contrast when using EF or EF-S lenses featuring maximum apertures of f/2.8 or faster. AF calculation speed with the EOS 40D camera is 30 percent faster than the EOS 30D model.

The Canon EOS 40D Digital SLR retains the same 35-zone metering sensor as its predecessor. Available patterns include Evaluative metering, which is linked to all AF points and is set automatically in the Basic Zone modes, Centerweighted average metering, Partial metering and Spot metering, covering approximately 9 percent or 3.8 percent of the viewfinder at center, respectively. The camera’s E-TTL II autoflash and 12 exposure control modes (11 AE modes plus manual) are also unchanged from the EOS 30D SLR model. However, as a result of consumer input, Canon has added three Custom exposure modes. As an added convenience, particularly for wireless flash operations, users can adjust the flash settings of the Canon Speedlite 580EX II directly from the camera.

The Canon EOS 40D camera offers ISO speeds from ISO 100 to ISO 1600 in 1/3-stop increments. Users can also opt for a high-speed setting of ISO 3200. For the first time in any EOS camera, the 40D model offers Auto ISO capability in Creative Zone exposure modes. This valuable new feature adjusts the ISO speed to the optimal setting based on low light or shaky shooting conditions. Additionally, the EOS 40D provides full-time display of the active ISO speed setting, both in the viewfinder as well as on the top LCD data panel.

The Canon EOS 40D Digital SLR is also the first camera in its class to offer two interchangeable focusing screens in addition to the standard precision matte screen. Users can opt for a grid-type focus screen that makes it easier to verify horizontal or vertical alignment while determining image composition, as well as the Super-Precision Matte focusing screen that makes it easier to grasp the “sweet spot” of manual focusing when using a lens with a maximum aperture of f/2.8 or faster.

Enhanced Live View
Previously the province of the EOS-1D Mark III DSLR (one of Canon’s top-tier professional cameras), the Live View function now gives EOS 40D camera users an expanded and exceedingly convenient and comfortable set of shooting options. By permitting the framing and capturing of subjects using the camera’s LCD screen instead of the viewfinder, the shooter gains a 100 percent field view to more easily achieve the desired composition. A new Custom Function on the EOS 40D allows autofocus during Live View by pressing the camera’s AF-ON button. At that point, the reflex mirror goes down and AF is carried out in the normal way. Letting go of the AF-ON button resumes Live View functions. Also, in the Live View shooting mode the user can magnify the image by five or ten times in order to ensure that the shot is optimally focused. Live View is at its best during tripod shooting – particularly for close-up photography where precise focusing is imperative. As a side benefit, the Live View shooting mode helps to reduce vibration by lifting the reflex mirror out of the optical path well in advance of the exposure, improving image quality at slow shutter speeds. A new electronic 1st-curtain shutter function in Live View mode reduces release time lag and operational noise even further to avoid spooking wildlife or disturbing people nearby with unwanted camera sounds. Additionally, as the release time lag is miniscule, even instantaneous movements like a bird taking flight can be readily captured.

EOS Integrated Cleaning System
First introduced on the EOS Digital Rebel XTi camera, the EOS Integrated Cleaning System is a prime example of trickle-up technology and is now becoming a standard feature on all new EOS Digital SLRs. The camera’s Self-Cleaning Sensor Unit uses ultrasonic vibrations to literally shake dust particles off of the low-pass filter in front of the sensor each time the camera is powered up or shut down. Users also have the option of engaging the “clean now” function at will or bypassing it altogether. Additionally, the EOS 40D SLR’s manual sensor cleaning function raises the mirror and allows users to clean dust that has stuck to the low-pass filter. Dust that has been shaken or blown loose is then trapped by adhesive at the base of the sensor unit housing, preventing the problematic particles from reattaching themselves to the filter when the camera moves. The second part of the cleaning system is a software solution that maps the location of any spots that may remain on the sensor. The mapped information is saved as Dust Delete Data and attached to the image file. Subsequently, the offending dust information is subtracted from the final image during post processing with a compatible personal computer, using the supplied Digital Photo Professional software.

Improved Software
Among the most valuable features of the Canon EOS 40D Digital SLR is its compatibility with Canon’s Picture Style Editor (PSE) 1.0 software. With PSE, shooters can actually design the look of their photographs by inputting their own preferred style, color and tone curves. The EOS 40D Digital SLR also ships with the latest versions of Canon’s powerful software applications, including Digital Photo Professional 3.1 and EOS Utility 2.1, which now support the camera’s Remote Live View and Dust Delete Data functions, as well as incorporating a broad range of additional improvements designed to improve image quality and speed up workflow. Also included are ZoomBrowser EX 5.8 and ImageBrowser 5.8 for easy browsing, viewing, printing and archiving with compatible computer operating systems, including Microsoft Windows Vista and Windows XP, as well as Mac OS X.

Accessories
New system accessories for the EOS 40D SLR include the redesigned high-capacity Battery Grip BG-E2N, which facilitates high-volume shooting and easier vertical shooting. Compatible with up to two BP-511A battery packs or a set of six AA-size batteries, the battery grip approximately doubles the number of shots that can be taken, compared with the battery power of the EOS 40D SLR alone. The BG-E2N grip features new sealing material around the battery compartment to better resist water and dust. The new model replaces the original BG-E2 grip and is compatible with the EOS 20D, 30D and 40D models.

Designed exclusively for the EOS 40D SLR, the new Wireless File Transmitter WFT-E3A*/** permits wireless transfer and back-up, as well as remote control of the camera in Live View mode. It can also be connected to various GPS receivers or Hi-Speed USB 2.0 external storage devices such as convenient flash drives or high-capacity hard drives with much larger storage capacity than the memory cards in the camera for instant back-up as images are captured. Compact and affordable, the WFT-E3A wireless transmitter also doubles as a vertical grip and requires its own BP-511A battery pack in addition to the battery installed in the camera body.

EF-S 18-55mm f/3.5-5.6 IS Lens
Developed in response to consumer demand for a high-quality yet affordable optically image stabilized lens, the Canon EF-S 18-55mm f/3.5-5.6 IS standard zoom lens adds a phenomenally flexible lens to the EOS 40D SLR shooter’s imaging arsenal. While it features the wide-angle to mid-range zoom flexibility of its non-IS predecessor, this new EF-S 18-55mm f/3.5-5.6 IS lens offers the significant advantage of a true lens-shift image stabilization system that yields up to a full four stops of image-shake correction.

The higher performance provided by Canon’s lens shift IS system (compared with the in-camera sensor shift type offered in some competitive SLRs) includes the ability to optimize the lens performance for specific shooting situations such as low-light, long-zoom or movement while shooting (or virtually any combination of the three). What’s more, the shooter can see the image stabilization effect in the viewfinder. As the image already appears steady, more accurate framing and composition is possible, the AF point can be placed more precisely, and the photographer can concentrate on the optimal shot more comfortably.

Compact and lightweight, the optional EF-S 18-55mm f/3.5-5.6 IS zoom lens is manufactured by Canon specifically for the EOS 40D SLR and any other EOS SLR that takes EF-S lenses including the EOS 30D, EOS 20D, EOS 20Da, EOS Digital Rebel XTi, EOS Digital Rebel XT and the original EOS Digital Rebel camera. An ideal complement to the EOS 40D SLR, the EF-S 18-55mm f/3.5-5.6 IS lens is scheduled to be in stores in October at an estimated selling price of $199.99.i

The Canon EOS 40D Digital SLR is scheduled for early September delivery and will be sold in a body-only configuration at an estimated selling price of $1,299.00i. It will additionally be offered in a kit version with Canon’s EF 28-135mm f/3.5-5.6 IS USM zoom lens at an estimated selling price of $1,499.00i.

About Canon U.S.A., Inc.
Canon U.S.A., Inc. delivers consumer, business-to-business, and industrial imaging solutions. The Company is listed as one of Fortune’s Most Admired Companies in America and is on the 2006 BusinessWeek list of “Top 100 Brands.” Its parent company, Canon Inc. (NYSE:CAJ), is a top patent holder of technology, ranking third overall in the U.S. in 2006†, with global revenues of $34.9 billion. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/pressroom.

FCC Disclaimer
* This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

FDA Disclaimer
** A Product Report required by 21 C.F.R. §1002.10 has not been submitted to the United States Food and Drug Administration for this product. This product is not, and may not be, offered for sale or lease, or sold or leased, until the required report has been submitted.

Reuters reports that Canon have announced that they’ve invested $451 million to build a new factory in Japan that will double their production capacity in making CMOS chips for digital cameras. The factory is expected to start operations in July 2008. Canon is aiming to produce 24 million digital cameras this year, 3 million of which will be DSLRs.

Canon have remade and relaunched Canon Professional Services under a new name – Canon Professional Network (CPN). With interviews, technical details, news, podcasts, tutorials and more, CPN’s mission is to be a source of inspiration, education and motivation for the professional photographer.

From their “about” page.

“Welcome to Canon Professional Network (CPN), Canon Europe’s new professional photographic website. CPN replaces the Canon Professional Services (CPS) site.

The aim of CPN is simple: to be a source of inspiration, education and motivation for the professional photographer and the aspiring photographic enthusiast. To achieve this we have teamed up with some of the very best professionals and experts from both inside and outside the photographic world.

CPN features and honours those professionals that use Canon equipment in so many exciting ways, creating images that reflect and define the world in which we live. They, along with our team of independent writers, explore the opportunities of the ever-changing and creative digital environment.

Over the past year, our CPS teams across Europe have been busy supporting professional photographers at major international events. CPN has been born out of listening to you at these and other events – to your needs, your wishes and your passion for photography.

We look forward to you being a big part of the site and contributing your images, comments and ideas.

Our independent editorial team, lead by editor Mike Stanton, will endeavour to reflect your wishes in the ever-growing content that is planned for the web site. The opinions presented within this site are those of the authors and not neccessarily those of Canon. We aim to provide an independent viewpoint about our products and their uses.

We hope you will enjoy this site and continue to return as new content is frequently added. Here we launch with just a flavour of what is to come.”

It looks to be a very useful resource for photographers who use Canon equipment.

For months the internet has been flooded with rumours of what Canon will introduce for PMA 2007. Top of everyones wishlist seemed to be an upgrade to the Canon EOS 5D, or the replacement of the EOS30D, generally assumed to be a 40D. The Canon Hong Kong website even briefly showed a page for a 40D, but with no actual information about it, just the name.

On February 21st, Canon issued a press release that brought some suprises. No announcements about a 5D or 30D replacement were included. What they did announce however, was the EOS 1D Mark III, a 10.1 megapixel DSLR that will replace the EOS 1D MarkII N. Sporting dual “Digic III” processors and capable of 10 frames per second in a burst of 30 RAW or 110 large JPEG, the EOS 1D Mark III is the worlds fastest DSLR and is expected to be available in spring 2007.

New features in the EOS 1D Mark III include a 3″ live view LCD (previously unavailable on any DSLR), Canon’s EOS Integrated Cleaning System, a shutter upgrade of 50% to 300 000 actuations, the ability to shoot at ISO up to 3200, with 6400 available as a custom function and a new auto focus system with 19 high precision cross-type sensors (up from 7) included in a total of 45 AF points.

To go along with the new EOS 1D Mark III, a new lens, the EF 16-35mm f2.8L II USM. Internally focusing, the lens features new coatings to reduce flare and is sealed for mositure and dust resistance.

An upgraded flash was also announced, the Speedlight 580EX II. Like the new lens, the speedlight is sealed against moisture and dust, and comes new features including a metal hot shoe, external meter for non-TTL flash exposure control and a PC socket.

Finally, two other accesories for the EOS 1D Mark III were introduced. The Wireless File Transmitter WFT-E2 allowing fast wireless transmission and the Original Data Security Kit OSK-E3 for image verification and encryption security.

In digicam news, Canon announced 8 new models – Powershot TX1, Digital ELPH SD1000 and SD750, and Powershot A450, A460, A550, A560 and A570IS.